Those who hold to realism in its extreme form, as a
representation of the actual only, behave as if one should say to the
philosopher--leave this formulation of general notions and be content
with sensible objects; or to the scientist--experiment no more, but
observe the course of nature as it may chance to arise, and describe it
in its succession. They bid us be all eye, no mind; all sense, no
thought; all chance, all confusion, no order, no organization, no
fabric of the reason. But there are no such realists; though pure
realism has its place, as will hereafter be shown, it is usually found
mixed with ideal method; and as commonly employed the word designates
the preference merely for types and plots of much detail, of narrow
application, of little meaning, in opposition to the highly generalized
and significant types and plots usually associated with the term
idealism. In what way such realism has its place will also appear at a
later stage. Here it is necessary to say no more than that in proportion
as realism uses the ideal method only at the lowest, it narrows its
appeal, weakens its power, and takes from literature her highest
distinction by virtue of which she grasps the whole of character and
fate in her creation and informs man of the secrets of his human heart,
the course of his mortal destiny, and the end of all his spiritual
effort and aspiration.
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