This was all very well in a warm country where
life was simple; demands few; and where there was not the tension of
present day living. It was a matter of no concern if the artist made
only a few such vases in a lifetime. He had the patronage of the rich,
and was sure of being taken care of. But to-day, alas, we face a
different problem."
[Illustration: "IT IS A COSTLY PROCESS, AND RATHER SLOW"]
"We surely do," agreed Theo.
"Therefore, here in America only a small proportion of this thrown
ware is made. Such art potteries as the Roferno and Sicardo wares,
seen chiefly in private collections and museums, are thrown; also some
of the Grueby, Rookwood, and Cincinnati varieties--all very beautiful
American potteries. In addition to these exquisite home products The
Dedham and Paul Revere potteries made near Boston should be mentioned,
for although of less costly type they are doing much to set a standard
of perfection of form, choiceness of coloring, and fitness of
design. All these wares are distinct contributions to the art
world. Of course certain wares are made by a modification of this
throwing process. Large pieces, for example, frequently have to be
thrown in several parts, fastened together, and afterward
finished.
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