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Bassett, Sara Ware, 1872-1968

"The Story of Porcelain"

Much of it is in imitation of
the Chinese, although some was decorated with roses, and some with
landscapes or coats of arms. As it had no mark upon it it is now
difficult to be sure of the genuine ware. Moreover, a large amount of
the white porcelain, it is said, was sent from China to Lowestoft to
be decorated, and therefore the body of it is of Oriental and not
English make. Worcester is another of the celebrated soft paste
chinas, which at first copied Oriental designs, and later branched off
into imitations of Dresden or Sevres wares. It is still made and
widely sold."
"It seems as if a great many of the English wares were copies of
somebody else's work," remarked Theo.
"I am afraid they were," owned Mr. Croyden. "England was not rich in
originality of design. The work of Wedgwood is the only distinctively
inventive contribution made to the china-making art. However, the
English bone porcelains are very beautiful, and though they are not
genuine feldspathic products they are highly esteemed and in demand
everywhere. Now you must own, Theo, that I have given you a pretty
complete outline of the pottery and porcelain-making of the European
countries.


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