" The Stout Knight lays
low.]
I have not time to enumerate all the charming effects of the Opera,
but I must not forget the magic property-harp, with, apparently, limp
whip-cord strings, "the harp that once," or several times, was played
by those accomplished musicians, _King Richard_, and _Friar Tuck_,
the latter of whom has by far the most taking song in the Opera,
and which would have received a treble [or a baritone] encore, had
_Barkis_--meaning Sir ARTHUR--"been willin'." The contest between
_Richard_ and the _Friar_ is decidedly "Dicky." Nor must I forget the
magnificent property supper in the first scene, at so much a head,
where not a ham or a chicken is touched; nor must "the waits" between
some of the sets be forgotten,--"waits" being so suggestive of music
at the merriest time of the year. Nor, above all, must I omit to
mention the principal character, _Ivanhoe_ himself, played by Mr. BEN
DAVIES, who would be quite an ideal _Ivanhoe_ if he were not such
a very real _Ivanhoe_--only, of course, we must not forget that he
"doubles" the part.
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