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Sloane, Julia M.

"The Smiling Hill-Top And Other California Sketches"


At first to an Easterner the summer landscape seems dry and dusty, but
after living here one grows to love the peculiar soft tones of tan and
bisque, with bright shades of ice plant for color, and by the sea the
wonderful blues and greens of the water. No one can do justice to the
glory of that. Sky-blue, sea-blue, the shimmer of peacocks' tails and
the calm of that blue Italian painters use for the robes of their
madonnas, ever blend and ever change. Trees there are few, the graceful
silhouette of a eucalyptus against a golden sky, occasional clumps of
live oaks, and on the coast road to San Diego the Torry pines, relics of
a bygone age, growing but one other place in the world, and more
picturesque than any tree I ever saw. One swaying over a canyon is the
photographer's joy. It has been posing for hundreds of years and will
still for centuries more, I have no doubt.
Were I trying to write a sort of sugar-coated guide-book, I could make
the reader's mouth water, just as the menu of a Parisian restaurant
does. The canyons through which we have wandered, the hills we have
circled, Grossmont--that island in the air--Point Loma, the southern tip
of the United States, now, alas, closed on account of the war (Fort
Rosecrans is near its point), and further north the mountains and orange
groves--snow-capped Sierras looming above orchards of blooming
peach-trees!
Even the names add to the fascination, the Cuyamaca Mountains meaning
the hills of the brave one; Sierra Madre, the mother mountains; even Tia
Juana is euphonious, if you don't stop to translate it into the plebeian
"Aunt Jane," and no names could be as lovely as the places themselves.


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