Perhaps there is no better instance of
the exercise of this quality than in his assigning to the heaven of
Jupiter, Constantine, to whose supposed donation of vast territories,
then regarded as genuine, Dante ascribes the corruption of the Church.
Many readers, whose acquaintance with our poet does not extend beyond
the Inferno, see in him only the incarnation of savagery and scorn. They
fail to pay tribute to the wonderful power of his friendship or to
recognize that his sufferings of adversity and injustice gave birth to
deep passion. To them he seems only to place his few friends in Heaven
and in Hell to roast all his enemies. It must be at once confessed that
there are instances in the Divina Commedia which, taken by themselves,
would lead one to so superficial an estimate of the man. In Canto VIII
of the Inferno Dante with his guide, Virgil, enters a bark on the Styx
and sails across the broad marsh. During the passage a spirit all
covered with mud addresses Dante, who recognizes him as Filippo Argenti,
a Florentine notorious for his arrogance and brutal violence. "Master,"
says Dante to Virgil, "I should be glad to see him dipped in this swill
ere we quit the lake." And he to me, 'Before the shore comes to thy view
thou shalt be satisfied.
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