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Stein, Gertrude, 1874-1946

"Matisse Picasso and Gertrude Stein With Two Shorter Stories"


An outline, outline, what causes hesitation, does outline not cause
hesitation, why is certainty disgusted by a waiter, why is the selection
of more than there is not established by selection, why is reasoning
clear, and estimation precise, and articulation unnecessary, and
disintegration avoided, why is it, and more than that when does the
resolution come that shows in a description, when does it come and why
does it determine no return, and what particular transaction shows more
intelligence than ever.
A labor, a labor consists in a list, a labor consists in a reduction in
minerals, a labor consists in authority.
Shame, there is shame, there is a date, there is betrothal, there is
sweetness.
No better juice than lime juice, no better juice than lemon juice, no
juice at all, no water, no sugar, no dirty glass. All this shows
antagonism.
Hide decent pepper, hide nothing clean, hide nothing and the prince is
perfect. Why is there no slender pine-tree, there is no slender
pine-tree because horror is loaded and the principal shadow that
indicates a memory is that which is not any size.
A distance, a distance is that which being placed in the beginning of
lettering shows no more curve than there is in a single sight and this
does not mean dispute, why is there dispute in tears, there is dispute
in tears because dust, no dust is thickened by cream, it is thick, cream
is thick, cream has that color and that odor and that stretch of
especial surprise.


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