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Stein, Gertrude, 1874-1946

"Matisse Picasso and Gertrude Stein With Two Shorter Stories"

Can a length be
different.
Two, two are not more than one when there is a dress. This is no
obstacle. To begin the dress, supposing there is that and there is a
process, the thing to do is to determine who is the one that shows it
all. This is not determined because there is activity. There being
activity there is beauty. There being beauty all the pins are changed.
So late there can be no beginning and yet it was all done. How was it
done, it was done by one.
Half a sausage, a whole sausage, two sausages, more sausages, four
sausages, this with a little mixed sour, this and the rest and the corn
which is grain, this and the best and certainly no kind of way of saying
that it was unexpected, this completed the single selection of a curtain
of repetition. This was such a security.
Argue the earnest cake and the dirty inside blotter, argue it and sign
the best way of standing. Supposing fifty are nineteenthirteen,
supposing they are is that the reason that the trimmings are shorter.
Why any wonder when the color of the sand is so dark and raisins are fig
trees and apples are smarter.
Why is the illusion correct, it is correct because it is black and gold.
Why are little squares neater, they are neat because if they are
obstructed there is a result that is pretty, very pretty and very likely
there is the color.
Pin a little pin inside each muff, show the slant that should expose a
foot, serve the same thing that has seen enough, love the moment best
which is all bliss.


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