Yet some newspapers had said he
was a man of goodwill, and had appreciation of talent, adding, however,
the doubtful suggestion that the appreciation stopped short of the
prowess of his son Carnac in the field of Art. It was evident John
Grier's act was thought by the conventionalist to be a wicked blunder.
As Carnac saw the world where there was not a single material thing that
belonged to him, he had a sudden conviction that his life would run in
other lines than those within which it had been drawn to the present
time. Looking over this wonderful prospect of the St. Lawrence, he had
an insistent feeling that he ought to remain in the land where he was
born, and give of whatever he was capable to its life. It was all a
strenuous problem. For Carnac there was, duly or unduly, fairly or
unfairly, a fate better than that of John Grier. If he died suddenly,
as his father had died, a handful of people would sorrow with excess of
feeling, and the growing world of his patrons would lament his loss.
No one really grieved for John Grier's departure, except--strange to say
--Tarboe.
*** END OF THE PROJECT GUTENBERG EBOOK CARNAC'S FOLLY, BY PARKER, V2 ***
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