And as on another
occasion I am going to write a few hints on wood carving, the present
article may be taken as a prelude to the one on that subject.
The materials necessary to try one's hand at modelling are very
inexpensive. The clay is the most essential thing, and this can be
purchased at one or two artists' colourmen, or, better still, at any
pottery. I have had clay sent me from the potteries in Staffordshire,
and those of my readers who live near a pottery would have no difficulty
in supplying themselves with clay. The clay used for flower-pots does
for coarse work, but is not sufficiently carefully prepared for fine
work. It burns a rich red colour, and is, of course, terra-cotta. The
clay used in making the terra-cotta plaques and vases is what you
require for fine work. There are two or three firms who supply London
shops with terra-cotta vases, etc., and I have no doubt that clay might
be purchased of them.
The clay used in making tiles does for modelling, but perhaps the best
is that which burns a cream colour. It is a dull grey colour, rather
dark before it is fired, and it should be noticed that it is difficult
to tell the colour clay will burn by its appearance when unbaked.
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